Saturday, October 11, 2008

285. Zombie! A Parable of Church Life - Leslie







  • FADE IN:

  • INT. CAR: ON ABANDONED HIGHWAY - DAY

  • LUCY, TONY, JULIA, and ALEX sit in the small Honda as it whizzes along the highway.

  • Lucy is at the wheel and Tony sits next to her; Julia and Alex sit in the back.

  • Julia glances up at Lucy, whose arm is livid with bite marks and swelling.

  • Tony's face is swollen so much it is misshapen.

  • TONY
  • Watch out!

  • Lucy dodges a pile of burning rubbish on the road.

  • The highway is littered with the carcasses of burning cars and twisted metal.

  • Julia looks over at Alex and speaks softly.

  • JULIA
  • We need to get out of the car. They're going to turn on us. They've already been bitten, who knows how fast the virus spreads.

  • ALEX
  • We're getting closer, it's not that far. I know we must be close to the refuge; we can get there before it's too late, I've heard the doctors there have the anti-virus.

  • JULIA
  • Look, we can travel by foot I know we can; how can we trust them anyway? I think they're taking us the wrong way.

  • ALEX
  • What if you're wrong?

  • JULIA
  • What if you are?

  • ALEX
  • It's not safe out on the roads.

  • JULIA
  • We'll find another car, I saw a few behind us.

  • ALEX
  • Those were miles behind...

  • Tony turns around.

  • TONY
  • Sorry about the speed guys, we're trying to figure out some of these directions.

  • ALEX
  • It's fine.

  • Tony turns back, flinching hard as pain shoots through his body.

  • Julia looks at Alex and motions.

  • ALEX
  • Ok, maybe you're right.

  • JULIA
  • I am, come on.

  • ALEX
  • Uh, Tony...I'm, well, we're not comfortable staying on this road. I feel like this is maybe a detour.

  • LUCY
  • No, this is right, I'm sorry we're going slower, this road is murder to drive.

  • JULIA
  • We'd like to get out; we'll find another ride. I mean, let's just be honest, you could turn on us at any minute.

  • LUCY
  • It's really not safe outside, you know that. We've fought the infection this long. I know Tony and I can make it to the refuge.

  • JULIA
  • I'm sorry, Alex and I would like to get out.

  • Lucy looks at them through the rear-view mirror.

  • LUCY
  • Alright, it's up to you.

  • TONY
  • Please, don't go, you don't have many chances of survival out there, it's getting darker, and you know they prowl in the shadows.

  • JULIA
  • Please stop the car.

  • LUCY
  • Alright, but I'm telling you, you're making a big mistake.

  • She pulls over and Alex and Julia slip out and the car speeds off.

  • EXT. ABANDONED HIGHWAY - DAY

  • The two begin walking, looking out for cars.

  • They sun sinks lower and lower as Alex looks around nervously.

  • They pass signs of lost civilization, a half-burned billboard from which bodies hang.

  • They pass a gutted strip mall.

  • The day grows later.

  • Alex perks up.

  • ALEX
  • Listen!

  • Julia stops.

  • JULIA
  • That's a car.

  • ALEX
  • Thank goodness.

  • An SUV pulls into view, its engine purring.

  • It slows as Alex and Julia wave.

  • STEPHAN the driver, a pair of sunglasses wrapped around his face, rolls down the window and waves a them.

  • STEPHAN
  • Looks like you folks could use some help.

  • ALEX
  • Yes, please - we're looking for the refuge.

  • STEPHAN
  • As are we. Are you marked?

  • Alex and Julia shake their heads and raise their hands.

  • Alex pulls back his collar to show no bites on his neck.

  • STEPHAN
  • Excellent, climb in. I'm riding with my nephew John.

  • JOHN, who also wears a snug pair of sunglasses, grins and waves from the passenger seat.

  • Alex and Julia quickly open the SUV doors and slip into the seats.

  • INT. SUV: ON ABANDONED HIGHWAY - DAY

  • John covers a bite on his arm and Stephan pulls his turtleneck higher to cover up the welts growing across his throat.

  • JULIA
  • Oh, it feels good to sit.

  • Stephan chuckles and begins to drive.

  • They follow an exit onto another highway.

  • JULIA
  • See! I knew the others were taking us the wrong way.

  • ALEX
  • Ok, ok, fine.

  • INT. SUV: NEAR REFUGE - NIGHT

  • Alex and Julia are sleeping in the back.

  • Alex stirs.

  • STEPHAN
  • Hey, you're finally awake. We're almost there.

  • Alex shakes Julia.

  • A large concrete wall stretches for miles in front of them, the walled city of refuge.

  • Large spotlights dot the walls and even from a distance, sentries can be seen.

  • Alex and Julia watch the walls grow closer with relief growing on their faces.

  • Alex grins at Julia.

  • Stephan looks at them in the rear-view and smiles, then trades a look with John.

  • Alex notices that Stephan is still wearing his sunglasses and looks at him quizzically.

  • Dark shadows crouch around the SUV.

  • The SUV pulls in closer to the gates.

  • In front of them, a little Honda pulls in from a side road.

  • ALEX
  • Well, look at that, I guess they did make it.

  • Julia shrugs.

  • The Honda pulls close to the gates and Lucy and Tony stagger out.

  • Figures, humans ravaged by the virus, lurch out of the shadows, growling.

  • Lucy and Tony drag themselves towards the gates.

  • Sentries shout an alarm and begin firing, tracers lighting up the nights.

  • A medical team races out and pulls Lucy and Tony to safety.

  • The SUV stops.

  • JULIA
  • Hey, why are we stopping?

  • Stephan turns around and smiles again, strangely.

  • He pulls off his sunglasses, his eyes dead.

  • Julia screams and attempts to pull off her seatbelt.

  • John lurches out of the car with an astonishing speed.

  • Alex locks the doors as Stephan reaches back and begins grabbing at Julia.

  • She fights back.

  • ALEX
  • Oh, God, oh God.

  • JULIA
  • Why aren't the guards coming?

  • ALEX
  • We're too far!

  • Stephan's welts are now clearly visible.

  • John begin tearing through the metal of the door.

  • He finally pulls the door off.

  • Stephan tears the seatbelt off of Julia as John pulls Alex off into the shadows.

  • EXT. NEAR REFUGE - NIGHT

  • Julia screams as Stephan pulls her into the dark, his grin fixed on his face.

  • The car SUV sits, just outside of the gates, another hunk of metal on a long highway.

  • FADE TO BLACK.


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