Sunday, January 20, 2008

20. The Latin Quarter - Leslie

Recommended listening/viewing for this script - St. Vincent's "Marry Me John" and Anna Ternheim's "Subtle Men"




  • FADE IN:


  • EXT. BALCONY IN PARIS’ LATIN QUARTER - DAY

  • ROSIE sits in a rocking chair watching the flow of traffic under her feet. Her cowboy boots are propped up on the balcony’s railing and a cowboy hat sits at an angle that dares the casual onlooker to mess with her.

  • She strums a a guitar and sings softly, whispering music to herself.

  • ROSIE
  • I knew a girl named Charlie, a dreamer a hippie...I said “Come in, have some peppermint tea.”

  • She hums, strumming a gentle, melancholy melody.

  • A strand of dark hair slips in front of her face and she tries to shake it away, then gives up, but the melody never stops.

  • ROSIE
  • Just come inside, come away, leave your troubles...

  • Someone pounds at her door but she does not move.

  • ROSIE
  • Leave your troubles...your troubles.

  • Someone is yelling from outside her apartment.

  • She closes her eyes and keeps strumming.

  • The sound of a key clicking in the lock echoes off the walls.

  • A TALL GALLIC MAN walks into the room reluctantly followed by two POLICE MEN and a THICK MAN with a crew cut and an army uniform.

  • The soldier lays a thick hand on her shoulder.

  • Rosie keeps playing.

  • He grabs her shoulder, forcing her to stand, and she turns around, placing her guitar down against the railing.

  • They stare each other down, Rosie looking at him coolly.

  • SGT. IVANEVIC
  • It’s time to report for duty. Thought you could get away? It’s a new world sweetheart, Uncle Sam gets what he wants, and he wants you.

  • He chuckles, surveying the room, his eyes stopping at a large picture framed above a bookshelf. In it, Rosie stands with a group of people burning their draft cards.

  • He shakes his head in disgust.

  • The gallic man wrings his hands, a large key dangling from his forefinger.

  • ERICH
  • Pardon, Rosie, pardon.

  • She smiles at him, and he relaxes a bit, his eyes still darting nervously.

  • SGT. IVANEVIC
  • Come on.

  • He pushes Rosie towards the door.

  • She takes one more glance at her guitar, and then is pushed outside.

  • The door slams.

  • The GUITAR sits outside as time washes past it; the remainder of summer; through Autumn rains and leaves, the weather warping the wood. Winter snows pile around it, and still the apartment sits quiet.


  • FADE TO BLACK.


No comments: